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<title>soundfiles</title>
<link>//www.iralightman.com/Site/Soundfiles/Soundfiles.html</link>
<description>I have an essay online (see Links) about Performing (eg the Visual) Poem. Here are some examples of how I tackle my own visual poems as sound.&#13;&#13;I have found that my double column poems (for example, from Trancelated - see Links) gather more interest accompanied by a performance. &#13;&#13;It’s my intention to perform them all, preferably as duets, and publish them, as audio CD and book.&#13;</description>
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<link>//www.iralightman.com/Site/Soundfiles/Soundfiles.html</link>
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<ttl>60</ttl>
<itunes:subtitle>I have an essay online (see Links) about Performing (eg the Visual) Poem. Here are some examples of how I tackle my own visual poems as sound.&#13;&#13;I have found that my double column poems (for example, from Trancelated - see Links) gather more intere</itunes:subtitle>
<itunes:summary>I have an essay online (see Links) about Performing (eg the Visual) Poem. Here are some examples of how I tackle my own visual poems as sound.&#13;&#13;I have found that my double column poems (for example, from Trancelated - see Links) gather more interest accompanied by a performance. &#13;&#13;It’s my intention to perform them all, preferably as duets, and publish them, as audio CD and book.&#13;</itunes:summary>
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<item>
<title>Douglas Adams tribute</title>
<link>//www.iralightman.com/Site/Soundfiles/7A4556D0-5A0E-4AE2-AC49-B17621DE5333.html</link>
<guid>//www.iralightman.com/Site/Soundfiles/7A4556D0-5A0E-4AE2-AC49-B17621DE5333.html</guid>
<pubDate>Thu, 4 Jan 2007 11:03:44 +0000</pubDate>
<description>A short soundfile in homage to DA.</description>
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<itunes:author>Ira Lightman</itunes:author>
<itunes:duration>00:08:06</itunes:duration>
<itunes:subtitle>A short soundfile in homage to DA.</itunes:subtitle>
<itunes:summary>A short soundfile in homage to DA.</itunes:summary>
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<item>
<title>mike sings the i ching</title>
<link>//www.iralightman.com/Site/Soundfiles/1D4E6E17-09C1-4A8E-87ED-993585B41A00.html</link>
<guid>//www.iralightman.com/Site/Soundfiles/1D4E6E17-09C1-4A8E-87ED-993585B41A00.html</guid>
<pubDate>Mon, 22 Jan 2007 15:40:40 +0000</pubDate>
<description>&lt;a href="//www.iralightman.com/Site/Soundfiles/1D4E6E17-09C1-4A8E-87ED-993585B41A00_files/mike%20sings%20the%20i%20ching.m4a"&gt;&lt;img src="//www.iralightman.com/Site/Soundfiles/Images/i%20ching.jpg" style="float:left; padding-right:10px; padding-bottom:10px; width:150px; height:150px;"/&gt;&lt;/a&gt;I once tried to create a poem inspired by the idea of “moving lines” in I Ching hexagrams.&#13;&#13;The thumbnail image above shows how there are 64 possible hexagrams; each is made of six lines, and each line can be broken or unbroken. Hence, 64 permutations.&#13;&#13;What is less well known (well, was to me) is that there are, actually at least double that number of permutations. You don’t often cast a static hexagram but one with at least one “moving line” ie a line that’s broken but about to become unbroken</description>
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<itunes:author>Ira Lightman</itunes:author>
<itunes:duration>00:05:44</itunes:duration>
<itunes:subtitle>I once tried to create a poem inspired by the idea of “moving lines” in I Ching hexagrams.&#13;&#13;The thumbnail image above shows how there are 64 possible hexagrams; each is made of six lines, and each line can be broken or unbrok</itunes:subtitle>
<itunes:summary>I once tried to create a poem inspired by the idea of “moving lines” in I Ching hexagrams.&#13;&#13;The thumbnail image above shows how there are 64 possible hexagrams; each is made of six lines, and each line can be broken or unbroken. Hence, 64 permutations.&#13;&#13;What is less well known (well, was to me) is that there are, actually at least double that number of permutations. You don’t often cast a static hexagram but one with at least one “moving line” ie a line that’s broken but about to become unbroken, or a line that’s unbroken that’s about to become broken.&#13;&#13;Therefore the hexagram is trying to become another hexagram, so for each of the 64 permutations, you might cast: permutation 1 moving to being permutation 35. This is a different casting from permutation 1 moving to being permutation 12. Thus there are more than 64 permutations.&#13;&#13;I wanted to evoke some of this movement by making hexagrams out of words, and moreover words that were changing into other words: every hexagram is an anagram of the previous one.&#13;&#13;Thus in any one hexagram, if an i changes into an a on one line (eg hit becomes hat), then all the i’s change for the next hexagram. &#13;&#13;I allowed myself a supplementary rule, that when a broken line becomes unbroken, I retain all the letters from the line and add three more; and when an unbroken line becomes broken, I chose to lose three letters, and make two three-letter word anagrams from the remaining letters.&#13;&#13;The poem can be found at&#13;&#13;BEPC - Ira Lightman&#13;&#13;This soundfile is Mike Higgins’ setting of the piece; it’s the first collaboration of any sort we’ve done for seven years.</itunes:summary>
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<title>ian txthead</title>
<link>//www.iralightman.com/Site/Soundfiles/DC16F586-17FF-45B5-B915-DE8E92FE7E41.html</link>
<guid>//www.iralightman.com/Site/Soundfiles/DC16F586-17FF-45B5-B915-DE8E92FE7E41.html</guid>
<pubDate>Mon, 22 Jan 2007 22:07:47 +0000</pubDate>
<description>&lt;a href="//www.iralightman.com/Site/Soundfiles/DC16F586-17FF-45B5-B915-DE8E92FE7E41_files/ian%20texthead.m4a"&gt;&lt;img src="//www.iralightman.com/Site/Soundfiles/Images/ian%20texthead.jpg" style="float:left; padding-right:10px; padding-bottom:10px; width:150px; height:150px;"/&gt;&lt;/a&gt;My latest Txthead is of Ian McMillan, the poet. I’ve taken lots of quotes about him, from his website, and run it all together.&#13;&#13;Then I’ve coloured the six discrete letters of his name, and left the rest of the text grey. And cut the result into a profile that looks (a bit) like Ian.&#13;&#13;On a whim, I’ve tried singing the resulting text - assigning notes to the coloured letters, and singing the whole text leaving gaps for the letters. The latter I did in C, the coloured letters are in D, E, F, G, A </description>
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<itunes:author>Ira Lightman</itunes:author>
<itunes:duration>00:11:43</itunes:duration>
<itunes:subtitle>My latest Txthead is of Ian McMillan, the poet. I’ve taken lots of quotes about him, from his website, and run it all together.&#13;&#13;Then I’ve coloured the six discrete letters of his name, and left the rest of the text grey. And cut the</itunes:subtitle>
<itunes:summary>My latest Txthead is of Ian McMillan, the poet. I’ve taken lots of quotes about him, from his website, and run it all together.&#13;&#13;Then I’ve coloured the six discrete letters of his name, and left the rest of the text grey. And cut the result into a profile that looks (a bit) like Ian.&#13;&#13;On a whim, I’ve tried singing the resulting text - assigning notes to the coloured letters, and singing the whole text leaving gaps for the letters. The latter I did in C, the coloured letters are in D, E, F, G, A and B. Call it Serialist Phonics; Diatonic Serialist Phonics.&#13;&#13;Then I spliced it all back together again.&#13;&#13;I love what singing it does to “university”, “Sheffield Hallam”, and (a word that comes up a lot talking about Ian: “include”.&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;&#13;</itunes:summary>
</item>
<item>
<title>txthead bb</title>
<link>//www.iralightman.com/Site/Soundfiles/5A3FB257-5A85-40E4-BBA5-BFBB1A66A2B8.html</link>
<guid>//www.iralightman.com/Site/Soundfiles/5A3FB257-5A85-40E4-BBA5-BFBB1A66A2B8.html</guid>
<pubDate>Thu, 18 Jan 2007 20:51:18 +0000</pubDate>
<description>&lt;a href="//www.iralightman.com/Site/Soundfiles/5A3FB257-5A85-40E4-BBA5-BFBB1A66A2B8_files/txthead%20bb.m4a"&gt;&lt;img src="//www.iralightman.com/Site/Soundfiles/Images/shilpa%20shetty%27s%20face.jpg" style="float:left; padding-right:10px; padding-bottom:10px; width:150px; height:150px;"/&gt;&lt;/a&gt;To accompany my new Txthead - see today’s blog - I’ve made a sound file reading the Txthead.&#13;&#13;The letter clusters tend to re-occur. I’ve tried sped up and slowed down parallel voices.&#13;&#13;It’s interesting when whole words happen to come up  - because all the letters in the word also occur in the name of the subject of the “profile”.</description>
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<itunes:author>Ira Lightman</itunes:author>
<itunes:duration>00:05:33</itunes:duration>
<itunes:subtitle>To accompany my new Txthead - see today’s blog - I’ve made a sound file reading the Txthead.&#13;&#13;The letter clusters tend to re-occur. I’ve tried sped up and slowed down parallel voices.&#13;&#13;It’s interesting when whol</itunes:subtitle>
<itunes:summary>To accompany my new Txthead - see today’s blog - I’ve made a sound file reading the Txthead.&#13;&#13;The letter clusters tend to re-occur. I’ve tried sped up and slowed down parallel voices.&#13;&#13;It’s interesting when whole words happen to come up  - because all the letters in the word also occur in the name of the subject of the “profile”.</itunes:summary>
</item>
<item>
<title>pi tracks by themselves</title>
<link>//www.iralightman.com/Site/Soundfiles/E1A47AAC-D749-4753-9283-1F0E332D61A6.html</link>
<guid>//www.iralightman.com/Site/Soundfiles/E1A47AAC-D749-4753-9283-1F0E332D61A6.html</guid>
<pubDate>Thu, 4 Jan 2007 00:00:00 +0000</pubDate>
<description>Here are the tracks that are playing, looping and excerpted, in the background of my Homemade Pi soundfile.&#13;&#13;They all follow the rule of 3 letter word, 1 letter word, 4 letter word etc, in their respective languages.&#13;&#13;They are:&#13;&#13;CATALAN&#13;Ell i ella, l'unica esperanca de tindre fills que tenen,&#13;Him and her, the only hope they have to have children, &#13;&#13;DUTCH&#13;Wat, U moet 't getal berekenen&#13;What (or: So), you have to compute the number?&#13;&#13;GERMAN&#13;Dir, o Held, o alter Philosoph, du Riesen-Genie!&#13;(To) You</description>
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<itunes:author>Ira Lightman</itunes:author>
<itunes:duration>00:03:48</itunes:duration>
<itunes:subtitle>Here are the tracks that are playing, looping and excerpted, in the background of my Homemade Pi soundfile.&#13;&#13;They all follow the rule of 3 letter word, 1 letter word, 4 letter word etc, in their respective languages.&#13;&#13;They are:</itunes:subtitle>
<itunes:summary>Here are the tracks that are playing, looping and excerpted, in the background of my Homemade Pi soundfile.&#13;&#13;They all follow the rule of 3 letter word, 1 letter word, 4 letter word etc, in their respective languages.&#13;&#13;They are:&#13;&#13;CATALAN&#13;Ell i ella, l'unica esperanca de tindre fills que tenen,&#13;Him and her, the only hope they have to have children, &#13;&#13;DUTCH&#13;Wat, U moet 't getal berekenen&#13;What (or: So), you have to compute the number?&#13;&#13;GERMAN&#13;Dir, o Held, o alter Philosoph, du Riesen-Genie!&#13;(To) You, o hero, o old philosopher, You great genius! &#13;&#13;FRENCH&#13;Que j'aime à faire apprendre un nombre utile aux sages&#13;How I like to teach this useful number to the wise!&#13;&#13;GREEK&#13;Αεί ο Θεός ο Μέγας γεωμετρεί&#13;Great God ever geometrizes&#13;&#13;ITALIAN&#13;Tra i rari e grigi formulari di scuola resta una serie numerica sfuggente eretici orizzonti.&#13;Between the rare and grey school formularies it remains a numerical series escaping heretical horizons.&#13;&#13;PORTUGEUSE&#13;Nos e todo o mundo guardamos pi usando letra por numero. &#13;We and all the world remember PI by replacing letter with number. &#13;&#13;SPANISH&#13;Ola y como (pi) posee infinidad de cifras?&#13;Hello, and how has pi an infinity of digits? it must have repeated fragments&#13;&#13;SWEDISH&#13;Hör I alla i kväll Arkimedes ju lovade komma &#13;Listen, all of you, tonight Archimedes promised to come &#13;&#13;</itunes:summary>
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